About
The artist who whispers to machines
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After an international career in marketing at Schweppes, and later in technology as a Director of Data and Artificial Intelligence 🔗 at Capgemini and Philips—leading digital transformation initiatives in France and abroad—I gradually brought together technology, narrative and innovation.
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In parallel, I have cultivated for over twenty years a multidisciplinary artistic practice 🔗 : painting, sculpture, and later digital art. This exploration of materials and forms naturally led me to AI, which I now use as a sensitive medium, capable of creating dialogues between data, memory and imagination.
From this dual expertise emerged NeoBreizh Studio 🔗, a space where technological innovation meets cultural heritage. I design immersive experiences 🔗 and digital creations 🔗 that blend technological innovation, embodied narratives and collective memory.
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Recognized as a pioneer🔗 in the artistic use of AI, I explore how technology, when used consciously, responsibly and creatively, can become a tool in the service of the human experience.
Carole Gendron
NeoBreizh Studio Cap'tain
Artistical Portfolio
For over two decades, each stage of my international journey from Mexico to Amsterdam, via Madrid and Paris, has been an exploration of new techniques (charcoal, pastel, painting, collage, graffiti) and new media (digital and Artificial Intelligence), allowing me to continue innovating in my art journey to portray emotions.
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My work has always aimed to merge tradition with modernity, tangible with digital, capturing the essence of each era and place while laying the groundwork for new artistic discoveries.
Digital Generative Art
(since 2019)
Finally, the advent of digital technology and artificial intelligence (AI), in which I am a profesional, has opened a new era for my art. Using AI and coding as creative tools, I began using Generative Artificial Intelligence to create works that marry technology and artistic expression.
This phase of my journey is dedicated to exploring how AI can not only assist the creative process but also push it beyond traditional boundaries, creating a novel playground (HumAIn_Art) for both the artist and the technologist.​
2020 : Exhibition "The Magic of ARTificial Intelligence", Amsterdam
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 AI Adam Remix |
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 Ça Décoiffe |
 Sabots du Monde |
 Bike to Future |
 Hypnose avec des Maths |
 Portraying Emotions |
 Food Impact |
 Data-Portrait Europe |
 Stories from the Cities |
 The Next Human 2100 |
Sculpture in Amsterdam
(2012 - ...)
​My journey then took me to Amsterdam, where I sought to physically connect with creation by working with clay. This direct contact with the material was enlightening, allowing me to literally sculpt emotions and stories. Clay, reactive and malleable, became my medium of choice for exploring new ways to share the contours of human emotions.
2015 : Collective Exhibition "Emotions", Amsterdam
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​After Madrid, Paris welcomed me with its vibrant cultural life, enriching my understanding of European art. There, I explored collage and painting techniques, combining textures to create multidimensional works. This period allowed me to manipulate materials and volume, giving substance to artistic expressions that play with the viewer's perception.
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Paintings & Collages in Paris
(2010-2012)
​The year 2009 marked a turning point with my immersion into street art. Inspired by my street artist friends, Guiom and Titi, I swapped my camera for spray paint cans. This art form offered me total freedom of expression, where broad and dynamic gestures replaced the paintbrush, infusing palpable energy into the creations.
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Pastels in Spain
(2005-2008)
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Next, my creative quest took me to Madrid, where the city's vivid colors influenced my shift to pastels. This medium, rich in possibilities, allowed me to experiment with a broader palette, exploring how colors can evoke feelings and tell stories. This phase was a period of expansion, during which each artwork began to pulse with a new dimension of life.
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2008: Group Exhibition at the Cuatro Caminos School of Arts, Madrid
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After a childhood exploring creativity, my true artistic journey began when I left France for Mexico, a country where vibrant cultural life intertwines with a rich artistic tradition. There, I was captivated by charcoal, a simple yet powerful material that reveals deep emotions through shades of black and white. This period was crucial in developing my ability to capture the raw essence of my subjects, providing them with emotional authenticity.
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2004: Group of Fellows Exhibition at the Monterrey Museum of Contemporary Art MARCO, Mexico
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Charcoal in Mexico
(2000-2005)
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Once upon a time in France
'Horse' was my first photograph, taken when I was around 10 years old.
During a school trip to the Brittany countryside, we used analog cameras, with film rolls, doing it the old-fashioned way. In the field, a horse proudly posed for me, capturing a perfect moment.
Later, we developed our photos in a dark room, under the glow of a red light, surrounded by chemicals, negatives, and photographic paper.
That day, I discovered my passion for art, my camera became my shadow, and creativity, my fuel.
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